London Alley
Kendrick Lamar
: Alright
by
The Kid Laroi - Justin Bieber
: Stay
by
Justin Bieber - Daniel Caesar - Givēon
: Peaches
by
Cardi B - Megan Thee Stallion
: WAP
by
Halsey
: Without Me
by
Nicki Minaj
: Anaconda
by
Rihanna
: Wild Thoughts
by
Future
: Mask Off
by
DJ Snake - Bipolar Sunshine
: Middle
by
Post Malone
: Circles
by
Selena Gomez
: Wolves
by
Skrillex - Vic Mensa
: No Chill
by
Justin Bieber
: Ghost
by
J Balvin - Bad Bunny
: CUIDAO POR AHÍ
by
Karol G
: Bichota
by
Kygo - Miguel
: Remind Me To Forget
by
Halsey
: You Should Be Sad
by
Justin Bieber
: Hold On
by
Skrillex - Rick Ross
: Purple Lamborghini
by
Chris Brown - Lil Wayne - Busta Rhymes
: Look At Me Now
by
Kendrick Lamar
: These Walls
by
Anderson .Paak - Kendrick Lamar
: Tints
by

You know about Colin Tilley’s work. He has written and directed visuals for some of the best hip-hop artists in the game, including Lil Wayne, Drake, Nicki Minaj, Chris Brown and many more. Widely considered as one of the hottest directors around, Tilley’s grind is the reason why he’s here today. Much like any success story, Tilley started from the bottom, taking on any opportunity that was presented to him to build up his reputation.
Born and raised in Berkeley, Calif., Tilley’s first big assignment was directing a video for hip-hop duo The Cataracs when he was 19. With no prior experience, the self-taught director borrowed a friend’s camcorder and shot the video for “Murder She Wrote.” The industry was impressed by his director’s eye and skills, which he quickly honed through YouTube tutorials as well as an organic curiosity for reinventing what is expected. “We put out the video, people started to gravitate towards it,” Tilley says. “And everybody started calling me, Colin Tilley, director. I was like, ‘Alright, I can rock with that.’ From there, I just started directing a bunch of Bay, hood videos. Just by myself. Going out to the streets and just shooting and just try and make things look next level.”
During that time, Taj Stansberry, the director behind videos such as Jennifer Lopez’s “On The Floor” and Ludacris’ “My Chick Bad,” encouraged Tilley to work with him. Under Stansberry’s guidance, Tilley edited the majority of his videos, picking up techniques through the experience. Stansberry also taught him the logistics of the rap game, and stressed hard work would bring bigger and better gigs. “It was pretty cool for him to take me in like that,” Tilley recalls. “‘Yo, this is the game. Nothing is handed to you on a plate.’ But you get put in the right situations and you network and you do it right. That’s kind of how I did it.”